Better Amplifier Wholesale From A Excellent Company GEDI-G

What Is The Role Of An amplifier?

Amplifiers are used to increase the power of a signal. When a speaker requires more power than the amplifier is capable of providing, an amplifier is used to boost the signal. The amplifier receives an input signal and increases its power before sending it to the speaker.

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Types of Amplifiers:

There are various types of amplifiers based on their design. The most common types of amplifiers are Class AB, class D, and tube amplifiers.

• Class B Amplifier: Class B Amplifier, as the name suggests, uses a single transistor circuit in which only energy in one direction is wasted. This makes it more efficient and results in lower heat generation. However, it is not suitable for audio systems since it creates too much distortion.
• Class AB Amplifier: Class AB Amplifier is a hybrid of Classes A and B. It uses a single transistor circuit in which energy is wasted in both directions, but the amplifier circuit is cooler than Class A. As a result, it is more suitable for audio systems compared to Class A.
• Class D Amplifier: Class D Amplifier uses digital switching instead of continuous signal flow and results in high efficiency. It is suitable for audio systems and is used for both low and high-power applications. Depending on the design, different variations of Class D Amplifiers are used in applications such as TVs, radios, computers, etc.
• Tube Amplifier: Tube amplifiers are more efficient than transistor amplifiers because they can produce more power from a given power supply. However, they are not suitable for audio applications because of their high distortion, high maintenance requirements, and high cost.

Amplifier Application Occasions:

If you are a music lover, then you probably have this experience: The main stage music is too small, and the sound quality is not high. In fact, in order to achieve the best sound effect for everyone’s ears, it is necessary to install certain amplification equipment.

Amplifier Application Occasions:

Concerts or performances:

Large-scale concerts or performances require multiple power amplifiers. For example, KTV and other entertainment venues need more than one channel amplifier to ensure that all guests can enjoy their favorite music at any time.

Large-scale halls and theaters:

Concert halls and theaters need multiple channels of speakers for sound effect optimization. For example, if there are 5 channels of speakers in a concert hall or theater, then each channel needs its own amplifier to ensure that everyone can enjoy the best sound quality during the performance or concert.

Outdoor events:

Large-scale outdoor events like parades require powerful amplifiers. In that way, everyone can hear clearly what is being said by the performers on stage. Or an outdoor event held in an open area such as a park or field.

How To Know How Many Amplifiers You Will Need?

If you are building a PA system, then there are a few things that you need to know before choosing an amplifier wholesale.

First, how many channels do you need?

A two-channel amplifier will give you one output for your speakers and another for your microphones. If you want to send the sound from multiple sources to the same set of speakers, then you’ll want a mixer first. You can also use a mixer to combine signals from different sources into one channel so that they can be sent to one speaker or headphone set. If you are using only one microphone and one speaker set, then this shouldn’t be too much of an issue as long as both have XLR connectors.

Second, how much power do you need?

The amount of power needed depends on what kind of speakers are being used and where they will be placed in relation to the audience. For example, at home or in small venues such as bars or restaurants, 60-watt amplifiers will do just fine. Because most of these places don’t require many volumes for their music needs. However, if you’re planning on having large audiences at outdoor events like concerts or festivals, it’s best to get an amplifier that can provide 500 watts or more.

Third, what kind of sound quality do you want?

This is a pretty important question because it will determine which type of amplifier you should buy. The more expensive amplifiers will produce crystal clear sound quality but they may not be as loud as some of the cheaper ones. If you want to get the best sound for your money, then you should go with an amp that has high-end features and plenty of power.

What Wattage Amplifier Is Better?

The power output of an amplifier is measured in watts. The higher the wattage, the more powerful the amplifier. This means that for example, a 100W amplifier will be more powerful than a 50W or 30W amplifier. The difference between the two amplifiers will be apparent when you listen to them side by side.

A common question people have is what are the differences between 100W and 200W amplifiers? Is it really worth spending double the money on such a small increase in power? A lot of people would say yes, but there are many factors that need to be taken into account when making this decision.

• First off, you should consider the size of the room in which you will be using your system. If it is small and confined, you may not need as much power as someone who is running their system through a large open space. In general, though, having more watts is better than having less—especially if your system includes multiple pairs of speakers (which will require more power).
• Second, consider the voltage range of your amplifier. Most amplifiers will have a minimum power output of 5 volts or more. However, some high-end models may only put out 4 volts or less. The lower the voltage range, the less likely you are going to get distortion from your music source (such as a CD player or laptop) when playing your music loud enough for others to hear it.
• Thirdly, you should consider what kind of music you plan on listening to. If you plan on listening to mostly classical music or jazz, then a low-wattage unit will work fine for you. However, if you listen to rock music or heavy metal, then you may need more power in order for your speakers to perform properly.

In GEDI-G, You Can Get Professional Power Amplifiers Of Various Wattages:

GEDI-G is a company specialized in manufacturing audio equipment for many years. They produce portable rechargeable speakers, professional stage speakers, karaoke boxes, power amplifiers, and other products. After years of hard work, their products have been loved by customers from many countries.

As a professional audio amplifier wholesaler, you can get 100W, 200W, 500W, 600W, and 660W professional amplifiers here. These power amplifiers have a wide range of applications:

Public address systems:

The public address system is used to deliver sound signals to public areas such as schools and shopping malls. GEDI-G has many kinds of PA systems that can be used in different places with different requirements. For example, if you want to install a PA system at home, you can choose the 100-watt or 200-watt class A/B amplifier; if you want to install a PA system at school or shopping mall, you can choose the 500-watt or 600-watt class D/E amplifier.

Small sound reinforcement systems:

The GEDI-G 100W amplifier is perfect for small sound reinforcement systems. It is ideal for bands, DJs, and small venues. The amplifier has a strong output power with a high dynamic range. It also features a high-efficiency level that ensures low heat dissipation.

The GEDI-G 200W amplifier is ideal for smaller concerts and gatherings where more than one speaker is required to cover the entire audience area. This amplifier has two channels with separate volume controls as well as a master volume control knob to adjust the overall volume of your sound system.

Home theater systems:

These professional power amplifiers are also great choices for home theater systems. They have excellent performance for delivering loud and clear sound at low distortion levels so that you can enjoy your favorite movies with great enjoyment.

Band PA systems:

The power amplifier can be used as an amplifier for the band PA system. It will help you to increase the power of your sound system and make it louder. You can use it to amplify the vocals or instruments in your band’s music.

DJ performance:

GEDI-G offers a wide range of power amplifiers for DJs. The DJ power amp can be used to drive the subwoofer and other speakers in the DJ booth. The DJ power amps are designed with high power output (100W to 600W) and low distortion so that they can provide the sufficient driving force for subwoofers. They also come with various mounting options for easy installation.

Final Words:

While DAWs have technically made analog mixing consoles obsolete, many studios still use them because running tracks through real transformers and op-amps imparts a subtle tonal coloration, even without engaging any channel EQs or bus compressors. But what if you don’t have the space or budget for a full-sized console? Enter the summing mixer: the perfect solution for getting the sound of an analog console without sacrificing the convenience and flexibility of a DAW-based workflow. 

A summing mixer is essentially a console stripped of its faders, preamps, EQs, and most other bells and whistles, leaving just the line inputs and the circuitry that combines (or “sums”) them to a master output. Multitrack outputs or mix stems are sent from a DAW and combined inside the summing mixer, and the two-track output is then routed back to the DAW and recorded. 

Adding a summing mixer to your studio is the perfect way to imbue your tracks with a bit of analog color without taking up precious space or slowing down your workflow like a console might. In this guide, we’ll explain the benefits of summing mixers and present a selection of top products with various features so you can find the best fit for your workflow and budget.

Analog “Glue” Without a Console

When all of your mix tracks or stems go through the same analog signal path, everything receives the same sonic imprint, giving the mix a sense of consistency often referred to as sonic “glue.” It’s a bit like the old idiom of looking at the world through rose-colored glasses: the world doesn’t lose its color; everything just looks a little more pleasant. 

Summing mixers simply do away with the parts of a console that your DAW already handles, such as the faders, routing matrix, meter bridge, and patch bay. By eliminating everything you don’t need, all that’s left is the summing, giving you the essence of a console in a much smaller, more streamlined form factor that also happens to be a lot more affordable.

Choose Your Level of Control

Though they’re designed mainly to do one thing, summing mixers come with a variety of features suited to different applications. Generally, these products fall into two camps: “line mixers” and “summing amps.” A line mixer allows you to adjust the level and panning of each input, while a summing amp simply combines signals with no control over the mix other than output gain. 

Today, these lines are more blurred than ever, and many summing mixers include extra features such as master bus processing, inserts for outboard effects, dual stereo outputs, and headphone monitoring. Some resemble miniature rackmount consoles complete with group routing and aux sends, while others can be upgraded to double as an audio interface or connect to external faders.

The Best Summing Mixers on Vintage King

Vintage King stocks a wide range of summing mixers, line mixers, and summing amps with various features and price points. Whether you’re looking to add a dose of Neve or API flavor to your tracks, saturate your mixes with tubes, or reduce a complex DAW mix to a manageable amount of stems, these products fill almost every niche you could think of.

API Audio ASM164 16-Channel Analog Summing Mixer

Price: $3,195

Type: 16-channel line mixer with channel and master bus inserts

This 16-channel, 2U line mixer is derived from the summing section of API’s THE BOX console, so you already know it’s going to sound great (thanks in part to the acclaimed API op-amps on each channel). Each channel features a level and pan knob, A and B bus assignment switches, and a balanced insert for adding additional processing into the signal chain.

Rupert Neve Designs Satellite 16x2+2 Summing Mixer

Price: $3,499

Type: 16-channel line mixer with channel inserts and Silk saturation

The Rupert Neve Designs Satellite is another 16-channel, 2U line mixer derived from a console: in this case, the RND . Designed around the same Class A topology and custom Marinair transformers as the , the delivers Rupert Neve's signature sound in a rack-friendly size. Like the API ASM164, each channel features level and pan controls, a switchable insert, and an alternate “Stereo 2” send. Stereo 1 and Stereo 2 both feature Silk Red and Blue saturation with variable Texture and Output controls.

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Neve Summing Mixer

Price: $3,495

Type: 16-channel line mixer with optional digital output and fader expansion

The Neve is much more than a simple summing mixer: it’s got a blendable stereo insert with mid/side capability and width control, a dedicated headphone monitoring path, talkback functionality, and a USB connection for flawless digital recall. An optional digital card turns the into a mastering-grade converter that allows you to record the output at sample rates up to 192 kHz or even DSD format. And if that’s not enough, you can connect the Neve Fader Pack to mix with 16 long-throw faders.

Thermionic Culture Fat Bustard II TX Summing Mixer

Price: $6,499

Type: 12-channel line mixer with master EQ and stereo imaging controls

The Fat Bustard II TX is a 12-channel line mixer with a unique set of features that make it ideal for stem mixing and bus processing. Channels 1-8 are treated as four stereo channels, while 9-12 are mono channels with pan controls, and two Aux inputs are available as well. The master section features Bass Lift, Bass Cut, Top Lift, and Top Cut EQ controls for broad adjustments, plus a Stereo Spread circuit with multiple filter options and a Bass to Centre control for tightening the low-end.

Speck Xtramix X6 Analog Line Mixer

Price: $6,715

Type: Console-style line mixer with 20 stereo channels, 8 groups, and 4 aux sends/returns

Dense with knobs and buttons, the Speck Xtramix X6 is essentially a console without faders or EQ. It’s got 20 stereo input channels complete with level and pan controls, as well as eight group channels and four aux sends. The stereo aux returns feature their own set of mixer controls, and each group has an insert point for adding effects. The master section features dual 2-track outputs, dual monitor outputs, a headphone jack, and another insert for the master output.

Speck X.Sum Line Mixer with Breakout Box

Price: $2,790

Type: 16-channel stereo line mixer

The Speck X.Sum is a relatively simple line mixer with premium electronics and an included Breakout Box that gives it a bit more flexibility than similar units. The front panel provides level and pan knobs, a mono switch, and a mix assign button for 16 stereo pairs, plus a master output control and dedicated headphone output. The Breakout Box connects via an analog RJ-45 connection, providing two sets of alternate pre-fader outputs.

Rupert Neve Designs Orbit 16x2 Summing Mixer

Price: $1,999

Type: 16-channel summing amp with Silk saturation

If all you need is a summing amp to give your mix stems a little analog flavor, the RND Orbit is an excellent choice. This streamlined summing box lacks any mix controls, so you’ll have to do all your mixing in your DAW and sum all your tracks down to 16 stems. Those inputs then get combined via Rupert Neve’s legendary Class A analog summing, with optional Silk Red or Blue saturation to add different flavors of harmonic excitement. There’s also a Trim control and an alternate -6 dB output to make this high-voltage unit play nicely with vintage and modern gear.

Tegeler Audio Tube Summing Mixer

Price: $1,739

Type: 40-channel tube summing amp

The Tegeler Audio Tube Summing Mixer is perfect for those who just want to run their mix through a set of tubes for a bit of analog “glue” and saturation. With 40 input channels, this unit is ideal for processing an entire multitrack mix from a console or DAW. The only control is an output trim, which allows you to back off the level if your mix is hitting the tubes too hot. Two warmly lit analog VU meters and a big red power light make this streamlined unit an attractive addition to your rack.

Dangerous Music 2-BUS+

Price: $3,199

Type: 16-channel summing amp with master bus processing

This 16-channel summing mixer gives you multiple ways to enhance and sculpt the sound of your mix bus with just a few simple controls. The Harmonics knob lets you easily dial in an edgier tone, while the Paralimit knob blends in an aggressive parallel limiter to make your mixes hit harder. The order of these stages can be flipped, and a final X-Former circuit lets you control how much saturation you want on the output. There’s also an external insert for adding additional processors and an output trim for final adjustments.

Dangerous Music 2-BUS-XT 16-Channel Analog Summing Mixer

Price: $1,999

Type: 16-channel summing amp with output blendable transformer

The Dangerous 2-BUS XT is essentially a stripped-down version of the 2-BUS+ that eschews the Harmonics and Paralimit controls while keeping the X-Former circuit and adding a “Coherence” control that allows users to “blend harmonically elevated signals in a parallel configuration with source mixes.” It also sacrifices the insert option from the 2-BUS+ to keep the size and cost down.

SPL MixDream 16-in-2 Class A Summing Mixer

Price: $3,299

Type: 16-channel summing amp with master bus processing

This 16-channel summing mixer offers individual inserts for each channel, optional stereo linking, and a handy suite of master bus processing features to enhance and polish your two-track mix. The Master Insert allows you to add additional processors, the Stereo Expander lets you widen the entire mix, and the Peak Limiter helps you achieve your desired level of punchiness with an adjustable Threshold control. 

SPL MixDream XP MK2 Summing Mixer

Price: $1,599

Type: 16-channel summing amp with expansion inputs

This simple but versatile summing amp offers 16 channels of analog summing with a few basic controls and an expansion output that allows you to link two units for 32-channel summing. Its front-panel controls are pretty straightforward: four buttons on the left allow you to toggle the first eight inputs between mono and stereo, while four buttons on the right toggle -18 dB pads on channels 9-16. The Variable Output button engages the central gain control, and the Expansion Input switch allows signal from a second unit to feed into the first.

Burl Audio B32 Vancouver Stereo Mix Bus

Price: $2,605.50 

Type: 32-channel summing amp with switchable output transformers

With 32 mono inputs and two sets of stereo outputs, the B32 Vancouver is a simple summing amp powered by mastering-grade electronics for ultra-pure and consistent sound. The left and right channels each feature a button to toggle a BX5 output transformer, adding a bit more weight and color to the output. An honorable mention goes to the Burl B80 and B16 Mothership platforms, which can be configured as summing mixers, among many other things.

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